Student/Learner 1.0: "The Housewarming"

Steal Like An Artist: Austin Kleon at TEDxKC

Robert Hughes: The Business of Art. Damien Hirst is all hype

Otis: Digitally Photographing your own Two-Dimensional Art

Walt Disney

Source: thoughtballoonhelium.blogspot.com via Heather on Pinterest

Official Launch Party

Please join our ARTISTIC REVOLUTION as we prepare to OFFICIALLY LAUNCH THE GOLDEN SHIELD CAMPAIGN! Please come meet our dynamic school board members and innovative leadership team, including future students, committed parents and transformative educators. This will be an opportunity for you to better comprehend our unconventional efforts to reform educational paradigms through a fine arts focus. Of course, donations will be welcome-- and much appreciated! We will also be accepting gift cards from Ziegler's, Triangle A&E, Hobby Lobby, and Michael's to donate to the members of the OKLAHOMA ART EDUCATION ASSOCIATION and local public school instructors. Feel free to extend this invitation to your friends and fellow creatives! Date: Friday, January 12th  Time: 5:30 pm to 8:00 pmLocation: Joe Mammas, 112 S. Elgin Ave, Tulsa, OK 74120 Official Facebook Event Link

New Year's Resolution

As we start a NEW YEAR, one cannot help but to reflect on the years past. For 2012, instead of proposing a short-term resolution, let's CHART A PATH and commit fully to leading an EPIC ADVENTURE! Every journey start with preparation, a little research and selecting an ultimate destination. Let's not waste our precious time we have been given in continued short-term failures and redundancy. 2012 is the TIME TO FORGE YOUR OWN PATH and CHOOSE YOUR OWN ADVENTURE! For the Mayans might have missed the exact date, but the consequences of their prediction will ultimately ring true for some sooner than others.  Are you going to choose to IMITATE the past or INNOVATE for the betterment of your future?

Question 1: a) Who is your favorite EXPLORER, b) why have you chosen this individual, and c) where do you want to GO?

INFLUENCERS: HOW TRENDS & CREATIVITY BECOME CONTAGIOUS

INFLUENCERS TRAILER from R+I creative on Vimeo.

 Loris Malaguzzi developed the Reggio Emilia philosophy in Italian classrooms of the 1960's.

Children’s own timing and rhythms demand enormous respect. Children need the support of adults in order to combat the accelerating pressures and haste to make them grow up, which is not only a treacherous sign of the subversion of biological, psychological, and cultural relationships that is currently in vogue, but also a sign of deep insecurity and a loss of perspective.

-Loris Malaguzzi

Adobe Youth Voices

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Chinese Students Face New Challenges

Andy Warhol Mao 1972
synthetic polymer paint and silkscreen ink on linen, 82 x 64 inches
Courtesy The Stephanie and Peter Brant Foundation, Greenwich, CT
© The Andy Warhol Foundation for the Visual Arts

-Patrick Wood


...In 1992 university education was free. If you passed the entrance exam then tuition and residence were free. Campus food was subsidised. Upon graduation each student was assigned a job usually in the province they had come from. Party control was absolute. Rapidly from 1993/4 this changed.

Accommodation fees were introduced, students were told to find a job themselves, tuition costs were introduced, low at first but increasing quickly. Universities were freed to make money and could no longer rely on government money. Teachers were encouraged to develop courses that students would elect to take. The more students in a class the more money the teacher and the university earned. Quality is not necessarily the main criterion for these courses and examinations frequently lack rigour. From a student's perspective, more courses look good on the CV.

Students are encouraged to take a second major beginning in their second year. The ones that are chosen most are those that have a definite utilitarian objective: finance, international trade, economics, business management, law - especially corporate law. Students now face two challenges that were completely unknown when I first arrived in China: financing their studies and finding a job.

For the growing affluent middle class the fees and living costs are not a problem but what about those from the countryside? They can borrow the funds they need from commercial banks at government-supported low interest rates. As well as this many students take on part-time jobs. Some students from poor families owe enormous moral and financial debts to their family. In some cases the student was chosen by the family to be the bright one who would go onto university.

Siblings have sacrificed their own secondary and college education to help earn the money. Those debts will not be paid off in a few years after graduation as can a bank loan. It is very noticeable that students from such backgrounds are the most dedicated to their studies. They know they have to be successful. In fairness the communist party leaders within universities do what they can to award small scholarships and help such students find a job.

However, I fear that further problems will become apparent in the near future. China is producing more graduates than it can employ. Two or three years ago postgraduate courses mushroomed as increasing numbers of students took the decision that an MA would be more likely to secure them a good job than a BA. Next summer will be the first when a massive number of post-graduate students come to the job market. Will their dreams of a good job be realised or will there be many over-qualified and frustrated young people? What will the effect of so many graduates be on the chances for graduates? There is a further complication. The poorer students are not usually among those pursuing higher degrees because they are unwilling to take on more debts. How will they fare in the search for employment? I do not know the answers to these problems.

How are these concerns about their futures affecting students? My experience is that it is encouraging them to think more selfishly. I used to hear students talking about 'serving the people' a phrase that is now, like the Little Red Book consigned to history. I feel great sympathy for these youngsters. It is clear from their conversations with me that they are desperately searching for advice and guidance. But they are on their own. Neither their parents nor their teachers have faced these problems and the dilemmas that are part of moving from sheltered academia to the hard world of employment. Their seniors did what they were told. There is no accumulated wisdom. They are treading paths that their families know nothing about. Communication without shared experiences is very difficult and that is the position that university students are finding themselves in today.

The university leaders used to be concerned with producing the educated young people for society. Now they are largely concerned about protecting their own positions. They need to encourage students to come to their university because they bring with them funds. They spend the money on grandiose new and unnecessarily large campuses because 'big is beautiful and wonderful'. They have followed central government policies to merge smaller (more manageable) universities into ever- larger unmanageable ones.

They have built out of town campuses, which are disliked by students and teachers, but admired by those who only visit occasionally in the official car. They listen to and respond to the demands of students. They give the impression they are afraid that if they do not they will fail to attract new ones. In contrast they can ignore the needs of teachers especially the younger ones, because with so many graduates and post graduates there will be no shortage of people to fill the places of teachers who rock the boat. It is tragic that good young teachers are feeling frustrated and see no future. But that is another story.

Today's students are growing into adulthood within a very different situation to those I taught a dozen years ago. It is not a comfortable time for many of them.

Patrick Wood looks at Chinese education system and its effect on students. The article first appeared in China Eye magazine 2005.

The author has been teaching in Chengdu, the capital city of Sichuan Province since 2000. He first taught at Sichuan University but this summer he moved to the South West University for Chinese National Minorities. He had previously taught in China during 1992-94. Patrick had the pleasure of meeting SACU members Derek Bryan and Hong Ying in Chengdu during one of their periodic visits to China and he joined SACU on a return visit to the UK in 1994.

http://www.sacu.org/students.html

The Future of the Arts/The Future of America

Michael Kaiser, President of the John F. Kennedy Center for the Performing Arts

Last week, the President's Committee on the Arts and the Humanities released a study on arts education and the news is bleak. Taking information on a 2008 report from the National Endowment for the Arts, the Los Angeles Times recently reported: "Among children of a college graduate, 27% said they had never taken even one arts class, compared with 12% in 1982. For children of high school graduates, the number who'd never had any arts study rose from 30% nearly 30 years ago to 66% in 2008."

This radical diminution in exposure of children to arts education has dire consequences for our arts ecology as well as our nation as a whole.

Traditionally, young children were exposed to the arts by their families and their schools. I remember playing the triangle in nursery school, singing in music class in grade school and singing in chorus and playing in the orchestra throughout my junior and senior high school days. I was an exception. When most students entered high school, they stopped their arts participation as they focused on dating, college, career and creating a family. Most people ages 18-45 had little discretionary time and money and only returned to the arts when their children were grown and their careers flourished. This influx of middle-aged ticket buyers, subscribers, donors, volunteers and board members was essential for the health and vitality of our arts organizations.

The startling fact revealed in the statistics in this new arts education report is that we cannot expect this trend to continue. Will someone with no arts experiences as a child automatically become a subscriber or donor to the arts when they hit middle age? Will they volunteer at a local dance school? Will they be willing to join the board of a theater company? I doubt it.

If not, where will the earned and unearned income for the arts come from in 20 or 30 years? The arts suffer from inflation more than other industries owing to our difficulty improving productivity. We need to add income more quickly rather than less quickly than other sectors of the economy.

As dire as the consequences may be for our field, they are much more serious for our economy as a whole.

The United States no longer depends on manufacturing as the central element of our economy. Less than 20% of our gross domestic product now comes from manufacturing, the lowest level among developed countries.

Our economic future depends on a work force that must be creative problem solvers, those who can invent new products and create new software. This means our educational system must produce creative, problem-solving graduates.

Who better to play a role in exercising the creative minds of our children than we in the arts? How are students going to build confidence in their abilities to create if they are not given access to education that goes beyond reading, writing and arithmetic?

Those who argue that investing in arts education is frivolous are simply wrong. We do our children and grandchildren no favor by reducing deficits by cutting educational opportunities.

But arts organizations are going to have to do more and better arts education in the coming years; we are going to have to work together to create smarter, stronger more efficient arts programming for children.

The health of our field and of our nation is at stake.

Huffington Post
Posted: 05/16/11 08:09 AM ET

TIJI "COLOUR" HD from AKAMA on Vimeo.

I don't know...

The Krasnals. Whielki Krasnal "Nobel prize winner? Red communistic pig?
Wisława Szymborska", from "Great Poles". 2010. Oil on canvas.

Inspiration is not the exclusive privilege of poets or artists. There is, there has been, there will always be a certain group of people whom inspiration visits. It's made up of all those who've consciously chosen their calling and do their job with love and imagination. It may include doctors, teachers, gardeners — I could list a hundred more professions. Their work becomes one continuous adventure as long as they manage to keep discovering new challenges in it. Difficulties and setbacks never quell their curiosity. A swarm of new questions emerges from every problem that they solve. Whatever inspiration is, it's born from a continuous "I don't know."

Wisława Szymborska (b.1923)  Polish poet, essayist and translator awarded the 1996 Nobel Prize in Literature.

Born to Learn

Born to Learn from Born to Learn on Vimeo.

Born to learn is a fun, thought-provoking series of animations that illustrate ground-breaking new discoveries about how humans learn.

A good iDea?

Added On April 8, 2011

A school in Maine is buying iPads for students, but not everyone is happy. WGME reports.

WGME.com

Do you think this is a good iDea?

Process: Additive/Subtractive Drawing

“Still Green VIII” (charcoal, 2005) appears in “Variations on A Theme” at Pan American Art Gallery.

Drawing from life — and moving back and forth between mark-making and erasing — I first establish large shapes and prominent edges, then focus on discrete areas to develop the drawing in greater detail.

panamericanart.com from Lari R. Gibbons on Vimeo.

China blasts 'maverick' artist Ai Weiwei after reported arrest

By the CNN Wire Staff

April 6, 2011 4:46 a.m. EDT

Ai Weiwei, shown in this file picture, has not been seen since Sunday when he was en route to Hong Kong.

(CNN) -- China's ruling Communist party unleashed a blistering attack Wednesday on dissident artist Ai Weiwei -- and on the West for criticizing his apparent arrest.

Ai has not been seen since Sunday, when he and an assistant said on Twitter that they had been taken into custody en route to Hong Kong.

China broke its silence Wednesday with a pair of articles in a Communist party newspaper.

One Global Times piece said he had been "detained by police, according to overseas media reports."

The other article, an editorial, said Ai "has been close to the red line of Chinese law... as long as Ai Weiwei continuously marches forward, he will inevitably touch the red line one day."

Read More...

Julian Schnabel:Impacted by Art and Critics

What was the first work of ART that changed you?

Artist Rembrandt (Rembrandt van Rijn) (Dutch, 1606–1669 Amsterdam)
Title: Aristotle with a Bust of Homer
Date:1653
Medium: Oil on canvas
Dimensions: 56 1/2 x 53 3/4 in.
From the Metropolitan Museum of Art, New York City

The Metropolitan Museum of Art is one of the world's largest and finest art museums. Its collections include more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.

Founded in 1870, the Metropolitan Museum is located in New York City's Central Park along Fifth Avenue (from 80th to 84th Streets). Nearly five million people visit the Museum each year.

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